As promised, I’m writing about the construction of my wedding dress and showing you some details of it. Unfortunately, you won’t get to see the final product until after the wedding in July.
I’m very excited about the wedding and have started counting down on facebook and sending people messages. By the time the day is here, I may have some annoyed friends/family, but I can’t keep the excitement down.
Wedding planning has been a breeze and my fiance has been amazing. I’m so happy I get to marry my best friend. ❤
On to the dress!
Construction of the dress took about 5 weeks and had a few setbacks. I did make other things during this time, though, and took breaks when I reached a setback. I took Tanya’s advice to heart and took it slow with the construction. I probably cut and sewed it in about 20-24 hours in total. I’m going to go over a few things I did for the construction, the setbacks, and show you detail shots throughout.
Cutting out the dress
When cutting this out, I had no problem with the bodice pieces. The size of the skirt pieces was larger than my cutting table, though, and I had some unfortunate slipping during that which didn’t get noticed until later. I’ll get to that later in the setbacks. Silk definitely needs a flat surface for the entire pattern piece. I ended up fixing the problem, but if I ever do something this elaborate again I am going to cut on the floor. Not ideal, but silk is a slippery ***.
Hand basting the lace overlay
Hand basting the lace on to the silk was a lengthy process and a little frustrating because of the slipperiness of both materials and the lace’s ability to snag and pull if you looked at it wrong. I did this on four bodice panels and the cap sleeves. It made sewing those pattern pieces a lot easier, though, as the lace didn’t shift in the process.
Testing before sewing
I did a lot of testing before I sewed it on my actual dress pieces. The testing included:
Stitch length and tension:
In choosing the stitch length and tension, I was looking for something that didn’t pull on the silk and was flat and tidy.
In choosing the button holes, I was looking in particular for a hole that laid flat once it was cut open and had a shape I preferred. I also wanted a stitch length that would work to prevent unraveling of the silk fibers when buttoning up the dress.
I always had it in my head to finish with hug snug, but I tested it out using the stitch length and tension from my testing, as well, to ensure it worked for the extra layers.
All hems were finished with hug snug. I chose not to hand sew a blind hem for the skirt, but instead do a machine hem. I just preferred the look and how it draped. I originally was going to do a rolled hem but my rolled hem foot didn’t like the silk….or liked it too much because it nommed it to hell.
I made sure that things worked before I sewed the dress. Silk charmeuse is very delicate and my lace was pretty prone to snags/pulls and neither enjoyed seam ripping. I wanted to make sure that I wouldn’t have to do a bunch of that…although, I did have a bit of it….
I had the bodice done relatively quickly minus the arm finishing and cap sleeves. The insides were easy to finish with hug snug. I did have some issues with the hug snug on the front princess seams, though, but that was worked out by narrowing the seams and then resewing the hug snug.
The skirt was a setback. As I said, the skirt pieces slipped during cutting and I never compared them to the pattern pieces to ensure they were cut correctly. I sewed them up and then sewed them to the bodice and then I put the dress on a hanger and my heart fell.
Things were wrong:
1) The skirt side seams weren’t going straight down. They were angling back to the back of the dress.
2) The skirt side seams weren’t draping properly and were puckering near the hips.
3) The skirt hem was allllllll over the place: long in the back, short at the side seams, long in the front.
I put the dress in the naughty corner and I thought about other things for a little bit. I compared the skirt pieces to the pattern pieces and realized the issue: not cut properly. I think the dress sat for about a week and then I unpicked the waist and skirt side seams. I recut the skirt pieces and then sewed the whole thing again. The side seams still pucker slightly at the hips, but are greatly improved.
Cutting the skirt for the hem was a whole other ordeal. I let the skirt hang for 48 hours and then I laid it on the floor and measured from waist to the 23 inches I wanted for the hem and marked blue dots all along the hem. I then pinned the entire hem up and tried the dress on to make sure it was even. I tried it on with the crinoline and without it. Then I hemmed the skirt.
As a result of the cutting problem, the skirt ended up shorter than I thought it would be. My crinoline peaks out at the bottom, but I have to say, I am quite pleased with that look. It’s so pretty. Maybe not proper, but I love it so screw proper.
Buttonbands and collar
The buttonbands and the collar all have a lightweight interfacing and are all sewn with a handsewn slipstich in silk thread on the inside. It made for a really delicate and lovely finish. I worked hard to get my stitches really even for the that.
I marked the buttonholes 2 inches apart and sewed on 12 buttons with the silk thread in Xs.
I really love the buttons and how they compliment the lace.
There is a bit of floppiness in the button band and collar on the left side, but I am hoping that spray starch will solve that.
Cap sleeves and armholes
I sewed the cap sleeves on and then discovered a set back: they were too small. The armscye was too small as well. I recut the armscye and then made an adjustment to the cap sleeve pattern piece and cut out new cap sleeves. I then finished the arms with hug snug on the inside. Unfortunately, the delicate fabric didn’t enjoy all the work in those areas and I am concerned about some larger holes from needles.
The armscye also ended up too large so I had to add in an armscye dart to pinch in that area. Not the neatest dart, but it is just under my arm and won’t be noticeable.
Silk organza underskirt
In order to offset the heaviness of a circle skirt with such a delicate fabric, Brooke suggested adding an underskirt of silk organza. I made it about 18 inches long and sewed it to the skirt at the waistband and at the button bands. I did have a draping issue at the button bands with the underskirt and skirt pieces not draping together correctly. I had to recut the skirt piece a little and that fixed the issue. The underskirt also had a wonky hem because of cutting… It’s still not the greatest hem, but works fine for under the skirt.
The waistband was then finished with two pieces of hug snug with all the layers of fabric. I was originally going to use grosgrain ribbon, but opted for the hug snug again instead. It makes for a nice finish.
Cleaning the dress
If you ever ever ever decide to work with this type of white silk for anything at all, do yourself a favour and clean up your iron before hand. It was not so clean for this and then I had to wash my entire dress to get rid of black waxy stuff from my iron from interfacing glue and etc.
I hand washed it and then put it in the washing machine for a rinse and a spin while at the same time my heart was spinning!
It came out beautifully and only one black smug didn’t come out during the process, but it was on the inside of the button band. I got it out after the fact, though.
I actually have a new iron now, because that one overheated and melted a bit of fabric. Hopefully, the self-clean option on the new iron will work.
I still have the sash to make out of red satin. I’ll put that into my next post in the wedding series.
The Lingerie and I will share the flower girl’s dress, as well.
Also in the series:
Stay tuned for:
June: The Wedding Lingerie
Also in June: The Flower Girl’s Dress and Sash
July: The Wedding Dress, pt. 3: The Reveal and the Day.